Katherine was honored to have three of her baskets chosen for the 19th Juried Art Show at the Schack Art Center in Everett, WA. The show opened on June 19 and will end August 2. It is a biennial exhibit of Northwest artists in a wide variety of mediums. This year’s jurors were Jan Hopkins, Ken Rowe and Joan Pinney. You can view the complete list of artists and images of the work on the Schack website.
There are two basket makers in the show with Dorothy McGuinness in addition to Katherine. One of Dorothy’s pieces “Threshold” was awarded Second Place in 3D works. Katherine received an Honorable Mention for her basket “Pi(e)” seen in the image above. Of course, anyone involved with basketry or fiber arts will recognize the name of juror Jan Hopkins. It definitely adds to the honor of having work chosen for the show.
Katherine appreciates the opportunity to display her baskets in an art venue like the Schack. Since her work emphasizes the functional element, it is not often she gets her work juried into exhibits.
Katherine works almost exclusively with willow, but occasionally she experiments with other materials. The third basket in the show titled “Slingshot” has rubber strips used in the side weavers along with the willow base, stakes, border and handle. She uses a zig zag weave with the strips doubled up to get a different look inside and out.
We hope people have a chance to see the exhibit before it closes. Thanks again to the jurors, gallery director Carrie Collver and all the staff at the Schack.
One of the more impressive willow baskets that Katherine weaves is the bassinet. These are sometimes called Moses baskets. There is real satisfaction in weaving a basket that will hold someone’s child and become an integral part of their family life. Here are a few images of some willow bassinets made by Katherine Lewis.
Katherine Lewis willow baskets, Anacortes Best of the Fest April 4-12, 2014
The Anacortes Arts Festival introduces the new “Best of the Fest” art exhibition April 4-12, 2014. The new show is an official event of the Skagit Valley Tulip Festival, and features artwork from 25 of the artists that participate in the annual Anacortes Arts Festival (August 1-3, 2014). Katherine has participated in the ‘Experience Art’ area as well as the ‘Arts at the Port’ exhibitions at the festival several years. Thanks to Fine Art Coordinator Rita James for inviting Katherine to submit works to be juried for the exhibition. She will have four baskets on display. It is an outstanding group of artists and Katherine is looking forward to having her baskets along side work by friends and fellow artists like Ann Chadwick Reid, Kathleen Faulkner and Lanny Bergner.
Katherine Lewis basket woven from willow and rubber
The show will open on Friday April 4 from 5-9 pm as part of the Anacortes First Friday Art Walk. The exhibition will be open daily 11am – 4pm from April 5 through April 12 at The Depot Arts Center at 611 R Avenue in Anacortes, Washington.
hands on gallery at the Renwick Gallery of the Smithsonian American Art Museum
When Nicholas Bell asked Katherine to donate the use of one of her willow baskets for a hands on gallery at the exhibition “A Measure of the Earth: The Cole-Ware Collection of American Baskets”, she was happy to participate. Katherine took the photo above when she visited the museum back in November, 2013, and you can see Katherine’s basket on the far right. It’s a well made panier à jour with slat willow base, one of Katherine’s ‘signature’ baskets. It was one of eight baskets displayed in this area where museum visitors had the opportunity to pick up the baskets and examine them.
Since the public would be handling the basket, the Renwick Gallery would not insure its value or final condition. It was an understandable and reasonable risk to take for the opportunity to present Katherine’s work to the many visitors. The Smithsonian did agree to return the basket after the exhibition closed on December 8, 2013.
A Measure of the Earth hands on basket
When the exhibition closed we were notified that the basket loan would be returned later that week. December went by so we contacted the Renwick Gallery in early January and were told that we would receive it by the end of the month. In February we contacted the Art Registrar who handles all the shipments of artwork for the Smithsonian. After a couple of emails they replied that the basket was still in the process of being returned. Now it is March, three months after the exhibition closed, and we are still waiting. We already had to deal with a government shutdown that delayed the opening of the exhibition so we figure another delay is just the way things are done in the “other Washington”. “Thank you for your patience.”
P.S. The basket was returned March 6 three days after making this post. The basket was double boxed with loads of padding. By the date of 12/11/13 marked on the inner box it is clear that the Renwick Gallery staff did a timely job the week after the exhibit closed. It’s also amazing how little wear the basket shows after spending a couple of months in the gallery for many people to touch it. I thought I heard a ‘sigh’ when I opened the box, like the basket was happy to see the light after spending three months boxed up in a Smithsonian warehouse